Making Screendance: Curatorial Practices
Discover different programming models and curatorial practices that enliven screendance presentation and dissemination!
Offered in French only
This module considers the development of curatorial practices in screendance, beginning with a presentation of different international initiatives, followed by a look to different models and their artistic and political impact on the arts ecology.
We will also analyze the key steps leading to a curated event. Collaborative curation will be at the heart of our discussion.
You can register for other course modules and attend all or some of them! Click on the links for a detailed description of each module.
Theory (12 hours, online)
- Summary – Making Screendance
- Theory Module 1 (3h) – Screendance History and Theory (October 12, 2022)
- Theory Module 2 (3h) – Contracts, Rights and Management (January 23, 2023)
- Theory Module 3 (3h) – Networks and Presentation Platforms (January 30, 2023)
- Theory Module 4 (3h) – Screendance Curatorial Practices (February 6, 2023)
Practice (50 hours, live in studio)
- Practice Module 1 (10h) – Screendance with Analog and Digital Domestic Tools (October 8 to 9, 2022)
- Practice Module 2 (10h) – Video Mapping, VJing and Choreography (January 14 to 15, 2023)
- Practice Module 3 (10h) – Moving Cameras, from Drones to GoPros (November 12 to 13, 2022)
- Practice Module 4 (10h) – Professional HD Cameras and Choreographic Possibilities (December 3 to 4, 2022)
- Practice Module 5 (10h) – Analog Cameras: Bolex and Film (January 21 to 22, 2023)
Learning Objectives
- Discover international initiatives.
- Better understand the artist-curator role.
- Exchange about the impact of collaborative practices.
- Become familiar with the key steps to presenting a curated event.
Who should attend this training?
Dance artists and their production teams, beginners or advanced practitioners.
Instructor
Priscilla Guy is a performer, choreographer, filmmaker, curator, and arts researcher based in Marsoui (Gaspésie). In 2012, she founded Regards Hybrides, now a worldwide reference in screendance through its online platform, an international biennale and several screenings every year. Her academic research is published regularly, notably with The International Journal of Screendance and The Oxford Handbook of Screendance Studies. She has a doctorate in Feminist Studies and Screendance from the University of Lille (France).
Advance registration and payment requireds
- Fill out our registration form. Select the Making Screendance modules you wish to attend.
- Fill out your Services Québec participant profile. This will be valid for all Making Screendance modules.
- Pay via Interac before attending any module you are registered for.
> Check if you qualify for the subsidized fee
This module is offered by le Regroupement québécois de la danse and developed by Regards Hybrides. It is made possible through the financial support from the Gouvernement du Québec and Compétence Culture, comité sectoriel de main-d’œuvre en culture.
