Making Screendance: Contract, Rights and Management

Be prepared to negotiate your rights, understand contracts, and plan collaboration details.

Advance registration required

Offered in French only

This module offers an overview of the terms to consider when embarking on a screendance production, namely clarifying the artists’, producers’, presenters’, and distributors’ rights and responsibilities to ensure fluid relationships and avoid unpleasant surprises.

You can register for other course modules and attend all or some of them! Click on the links for a detailed description of each module.

Theory (12 hours, online)

• Summary – Making Screendance
• Theory Module 1 (3h) – Screendance History and Theory (October 12, 2022)
• Theory Module 2 (3h) – Contracts, Rights and Management (January 23, 2023)
• Theory Module 3 (3h) – Networks and Presentation Platforms (January 30, 2023)
• Theory Module 4 (3h) – Screendance Curatorial Practices (February 6, 2023)

Practice (50 hours, live in studio)

• Practice Module 1 (10h) – Screendance with Analog and Digital Domestic Tools (October 8 to 9, 2022)
• Practice Module 2 (10h) – Video Mapping, VJing and Choreography (January 14 to 15, 2023)
• Practice Module 3 (10h) – Moving Cameras, from Drones to GoPros (November 12 to 13, 2022)
• Practice Module 4 (10h) – Professional HD Cameras and Choreographic Possibilities (December 3 to 4, 2022)
• Practice Module 5 (10h) – Analog Cameras: Bolex and Film (January 21 to 22, 2023)

Learning Objectives

• Differentiate artists’, producers’, presenters’, and distributors’ roles in screendance.
• Know the presentation fee scales.
• Analyze different types of contracts, agreements, or invoices for presenting screendance.

Who should attend this training?

Dance artists and their production teams, beginners or advanced practitioners.

Instructors

 © Kinga Michalska

Kim-Sanh Châu is a Vietnamese-French contemporary dance artist based in Tio’tia:ke (Montréal). Her dance practice takes the form of choreographic and video installations. Her work has been presented through several international festivals, including SIDance (Korea) and Krossing-Over (Vietnam). She regularly works for other artists, the most recent being George Stamos, Kimura Byol and Catherine Lavoie-Marcus.

 

 © Marites Carino

Marlene Millar is a filmmaker (writer, director, editor, producer, and mentor) who has created dance films, documentaries and experimental media productions for over 30 years. In 2019, her career was honoured at a retrospective exhibit at Threshold Artspace, Perth, UK. Her films have garnered over 30 awards and prizes internationally. A prolific educator and mentor, Millar has taught filmmaking across continents for different organizations and institutions.

 

 

Advance registration and payment requireds

1. Fill out our registration form. Select the Making Screendance modules you wish to attend.
2. Fill out your Services Québec participant profile. This will be valid for all Making Screendance modules.
3. Pay via Interac before attending any module you are registered for.

> Check if you qualify for the subsidized fee

 

This module is offered by le Regroupement québécois de la danse and developed by Regards Hybrides. It is made possible through the financial support from the Gouvernement du Québec and Compétence Culture, comité sectoriel de main-d’œuvre en culture.