***CANCELLED***THE TEN COMMANDMENTS – Harold Rhéaume / Le fils d’Adrien danse
In 1998, Harold Rhéaume tackles his first great work: The Ten Commandments, ambitious project for the young choreographer he is then. A piece that then raised complex issues about values and moral codes that support living together.
To celebrate the company’s 20th birthday, Le fils d’Adrien danse revisits this mythic piece, iconic of the work of its creator. Rhéaume reunites ten interpreters on stage to explore social tensions through the prism of the Tables of the Law. The piece unfolds in three versions: choreographic, cinematographic and in situ.
Thanks to a unifying dance, bearer of softness but also heartaches, THE TEN COMMANDMENTS suggests a reflection on the values and principles that guide our collective actions, yet especially on the ones we need to invent in order to respond to current issues.
A fresco hitting the heart of sensitivity by the celebration of our differences and singularities.
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Choreographer
Harold Rhéaume with the collaboration of the interpreters
Interpreters
Nicholas Bellefleur
Josiane Bernier
Alexandre Carlos
Miranda Chan
Charles-Alexis Desgagnés
Jean-François Duke
Misheel Ganbold
Etienne Lambert
Eve Rousseau-Cyr
Ariane Voineau
Original Music and Interpretation
Josué Beaucage
Lighting
Philippe Lessard-Drolet
Bruno Matte (cinematographic phase)
Costumes
Sébastien Dionne, Par Apparat and Harold Rhéaume
Director
Loup-William Théberge
Assistant camera
Felippe Martín
Editing / Colouring
Loup-William Théberge
Assistant choreographer and coordination
Nadia Mailloux
Nelly Paquentin (autumn 2020)
Apprentice interpreters
Léa Ratycz Légaré
Maxime Boutet
Cello
Louis-Solem Pérot
Singer
Marianne Poirier
Illustrations and outside consultant
Mathilde Bois
General and artistic codirector
Caroline Simonis
Communications, cultural mediation and assistant to the general and artistic codirectors
Daphné Lehoux Traversy
Administrative coordinator
Guillaume Daguet
Photographs
Daphné Lehoux Traversy
David Wong
Vanessa Fortin
Emmanuel Burriel
Patrice Gagnon
Text
Caroline Simonis